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Hussein Amin Bicar (1913 in Alexandria – November 2002) was one of Egypt’s most prominent artists of the 20th century, after graduating from the Cairo higher school of fine arts in 1934, he spent more than 60 years of his life teaching art at schools and universities and then through the press, he is credited for initiating a style of journalistic art that elevated illustrating for news papers to a level close to that of the fine art, he is known for his simple and clear style reflecting the influence of Pharaonic art with its harmony, serenity and mystic. Bicar’s journalistic contributions go beyond illustrations to include art criticism and narrative poetry. Being the first Egyptian artist to illustrate Arabic children’s books, Bicar has played a major role in establishing and promoting this field. Furthermore, his portraits and oil paintings depicting graceful peasants, Nubian scenes or Pharaonic themes as well as his elegant, gracious nature has earned him great recognition and honors. In the words of late journalist Mustafa Amin:"he is not a single artist, he is a master of several arts…he is a painter, photographer, poet, musician and philosopher". He was of Turkish extraction and a member of the Bahá'í Faith.〔(The others- A court ruling providing official recognition to Bahais has done little to ease the debate on this Israeli-based cult ) by Gihan Shahine, Al-Ahram Weekly〕 ==Birth and early life== Hussein Amin Ibrahim Bicar was born on 2 January 1913 near Anfoushi in the Mediterranean city of Alexandria, Egypt. From the time of his childhood in Alexandria, Bicar seemed destined to be an artist. he could play the lute at the age of eight and by nine, he was in demand as a music teacher for society ladies who due to cultural restrictions could not use adult male teachers. Bicar’s father died when he was young. His mother, who always encouraged his talents, moved him to cairo when he entered the Higher School of Fine Arts at age fifteen. This school on Khallat Street in Shoubra was founded privately in the early 1900s. All teachers were European and students were obliged to follow a curriculum based in western art. One of his teachers Friedman Cluezel from Sweden was especially important to Bicar’s artistic development. He recognized Bicar to be “gifted as a portrait artist”. To express his confidence, Cluezel asked the young student to draw his portrait—one of the first of many that Bicar produced over the years. In 1928 the Higher School of Fine Arts was brought under the auspices of the Ministry of Education, and Egyptian artists who had studied in Europe began to be hired as assistants and later as teachers. These teachers brought a new spirit into the school as they promoted sensitivity for Egyptian heritage. Among them was the great sculptor, Mahmoud Mokhtar. In his senior year, Bicar was able to study with the best portrait artist in Egypt at that time, Ahmad Sabry, who became his mentor and lifelong friend. Graduating at the top of his class in 1933, the bright young Bicar had dreams of a brilliant future as a free-lance artist, but the economic depression of the 1930s introduced a harsh reality. Bicar did manage, however, to earn a living during these difficult times and, paradoxically, to develop a versatility that served him well throughout his career.〔A publication about Hussein Bicar published by the American University in Cairo in 1989, written by Betty Wass El-Wakil〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Hussein Bicar」の詳細全文を読む スポンサード リンク
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